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Project Room a consideración de ARCO 2002, Madrid Images on a wall
represents the next step in the investigation that, on computers and art, I have
conducted since the late eighties. After
a search that dwelled in the de-materialization of a pictoric art, creating it
with light rather than with pigments and probing the artistic pertinence of this
product of modernity as a means of art. As computers during the last decade evolved to
become routine assistants for everyday life, Images on a wall represents the
incorporation of digital art to that day to day cotidianity. Even though I have
achieved significant advances in my investigation on conception and handling of
digital images, the artpiece still had a question to answer: the digital work of
art was still bulky, the evolution of computers still demanded voluminous
installations to show it and make it available to people. In this early age of
digital art, it is still not frequent in private collections.
Images on a wall proposes perceiving digital art from a wall, to make digital art part of people’s cotidianity. It proposes the perception of the digital art from a wall, to make the digital art daily. The houses and museums of the world have shown the art of the times from their walls, and the viewer of the pictorial art has perceived it almost always like part of a wall, like limit and vital space of the privacy. The image in the wall has a spiritual added value very personal. Images on to wall is a concept of digital art reflecting being of the times that the man experiments already in XXI century.
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